Notes from my Artist Studios of Fearrington Village preview tour…
sculptures and paintings from nature (professional voice)
[#2 on the ASFV studio tour map]
Forrest – molecular biologist – that to me indicates he worked with the minuscule and the non-tactile. He would not have been able to hold the observed and organized objects – quite different from his sculpture and paintings, both of which “ …are highly stylized… built up with inches of thick acrylics and modeling paste to the point they nearly jump off the canvas…”
Inasmuch as his professional world was, I imagine, flat and perhaps all that ‘jumped’ were the childhood memories of salamanders and such from under the rocks, Forrest’s “Organic Forrestry” artwork shouts a full exploration of natural subjects bringing textural “motion and emotion [to his art].”
I first knew of Forrest’s cement sculpture work during my own ‘sculpture-ation’ at Central Carolina Community College but it is his painting and drawing I viewed in his studio that kept my attention at our visit. He does impart texture in many of his works but some are also less-stylized, making me want to explore the fur of the groundhog or opossum, or the wet noses of the raccoon or his pup Stanley, even as they are neither furry nor wet.
Reynold Ed Maher
mixed media paintings (reflections from his inner voice)
[#4 on the ASFV studio tour map]
As Leslie Palmer remarked of Reynold’s work, “…Each work is a flow of emotion- a play on the creative process…”. His works are flowing, formless energy without narrative, yet their color-filled dialog holds the viewer near in hopes of discovering their stories.
Reynold’s work reminded me that if you push for the just the right hues, they shimmer when placed next to each other. He shared with me a postcard of an ancient Egyptian artifact with a particular shade of blue – the Egyptian blue of calcium copper silicate. Reynold pairs this blue with shades of the complimentary and vibrant orange/golds and rust/browns which ask me to see the composition in a reciprocal manner to the shimmering of the colors — they need each other.
Another complementary observation is that of Reynold and his wife Vietta who shared delicious cookies (and the recipe) with us — both such a treat to meet and spend time with!