(i.e., the first steps down this path are as familiar as the soles of my Earth Shoes on the aisles of the Little Art Gallery)
I listened to an interview with James Taylor a few years ago who’s answer to a question really stuck with me. He was asked how, with such a large catalog of songs, does he come up with new lyrics. He said something to the effect that his method is to “go back to the well” — in other words, all of his music (his art) comes from within him, and that is where he ‘goes’ to look for new ideas, in effect.
What does that have to do with The Little Art Gallery? I have enjoyed browsing and shopping there in each of its locations over these past decades and had the inspiration to begin this blog trek at that one place where I became introduced to so many artists from this area – I would say that gallery is my ‘well’ where I go back for inspiration whether it is viewing interpretations of current design trends or how the local artists and their work are evolving, or for new subjects and ideas for my own work. I visited Little Art Gallery at Cameron Village this past weekend and checked out some of the works currently carried by owner/manager Rosanne Green Minick and founder Ruth Green, her mother.
Once I got through browsing my favorites -which always seems like re-visiting long lost friends- I came across the acrylic paintings of Micah Mullen and was drawn to the virtual 3D affect he achieves in the overlays of patterns and values -which remind me very much of the Mola of Panamá as well as contemporary art quilts and some of the works of Klimt — and how cool to see he offers video art lessons on his website! Micah provided me with a photo of one of his newest pieces to use on my blog, “Blackwater Falls” – Thank you, Micah!
Leah, the gallery sitter that Sunday, also introduced me to some of Nancy Hughes Miller‘s work as one of her favorites. Nancy captures that thing I stare at most -besides computer screens- while travelling the down east country or seaside: North Carolina’s horizons. The strong horizon lines she develops provide a calming fulcrum balancing the sky and earth in many of her works. I am also reminded of the color fields and horizontal lines Rothko achieved in many of his pieces.
My favorite paintings of Nancy’s are those that are the more impressionist seascapes, but all merit a good viewing — this artist can even make Lake Crabtree appear majestic! My favorite piece of Nancy’s is, of course, a seascape… “Walk to Bird Island “, and Thank you, Nancy, for allowing me share it here!
Another thing to note is Nancy graduated with a BA in Environmental Design at NCSU’s SOD – my (partial) alma mater!
Another of my long-time favorite artist’s work shown at The Little Art Gallery is that of Stephen White of Carrboro/Chapel Hill. The Little Art Gallery has represented Stephen for over 35 years. I am always drawn to Stephen’s use of very simple shapes and the figures’ subtle expressions. I don’t think I could own just one, but my favorite so far is ”Two Women, Black Background” which I found on the City Art Gallery of Greenville website.
The composition might be simple but it offers a very dynamic visual effect much like what I see looking at a print of da Vinci’s “Mona Lisa”. That is, when you at the Mona Lisa’s eyes, you see her smile! For this painting of Stephens, when you look at the eyes of the figure at the top of the composition, the lower figure’s eyes seem to smile — maybe I’m just staring at my computer too long -again! I hope to catch up with Stephen in the future when my trek carries me westward to Carrboro.
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