Notes from my Artist Studios of Fearrington Village preview tour…
Original hand-pulled screen prints
— cards, calendars, t-shirts and framable prints
[#15 on the ASFV studio tour map]
Of all the art techniques I have tried, I have to say print-making is probably the most difficult to pull off, second only to etching. Vidabeth has triumphed over the process of enacting the multiple steps of designing the print, preparing the screen(s) and then inking and pulling in such a way there is no perceived effort evident.
Vidabeth gave a mini tutorial on making the screens and shared her long teaching career outside the US, and her collections. Her discussion of the process and all she puts into it -as well as the prints’ blossoming from her experiences in Europe, Asia and the Middle East- leaves me in awe to know the finished prints are a just single pieces of paper.
I chose this image to highlight here for two important reasons. It displays multiples of the Chinese character for “Art” and, as I didn’t take the opportunity to buy a t-shirt she sells of this marking, this post is a great way to remember the image. The ink and background colors in this piece, as well as the texture of the paper it is on make it very conducive to a happy patch of bamboo.
Award winning contemporary acrylics, bold ink-brush prints, diverse styles
[#19 on the ASFV studio tour map]
I am presenting this partial image of one of the many paintings I fell in love with of Murry’s. This piece is both painting and illustration, both static and full of movement. As is Murry’s history. He began as tight-lined, deadline-oriented Illustrator and is now a free flowing, mistake forgiving artist wielding a dream brush.
I love the movement Murry’s splatters have as well as the clean-lined pine cones and needles. I also love the pine cones being the only objects with color, almost reminding me of the drapes Mom had years ago – this painting makes me smile with a bit of wistfulness.
Over all, I believe Murry when he mentions how his paintings “take shape while [he is] semi-asleep.” The muscle memory he stored up after the years as an illustrator must allow him to jump past any pause of how to represent his thoughts- even if it is just a mere suggestion of an object. One can accept his brush shows him the way.
I hope you are able to make it out to the First Ever Artists’ Studio at Fearrington Village —Please share your favorite Triangle artist in the comment section and perhaps I will introduce them here as well!